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• Sales Rank: #10588977 in Books
• Published on: 2009-01-01
• Binding: Sheet music

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Download Ebook Freak Kingdom: Hunter S. Thompson's Manic Ten-Year Crusade Against American Fascism

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Audible Audiobook

Listening Length: 10 hours and 4 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Hachette Audio

Audible.com Release Date: November 20, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07KPK2LMK

Amazon Best Sellers Rank:

Like many of my boomer generation, I've enjoyed HST's writing since I first read his two-issue of "Fear and Loathing in Las Vegas" when first published under the identity of Raul Duke in Rolling Stone. I LOL'd every few pages and have read several of his works in various publications as well as biographies over the years.I also patiently read and discussed his writing with people who seemed to feel threatened by his Gonzo style of journalism or his style of writing. To those critics, I'll say, "f'-em." HST was fun to read, and what is wrong with that?I followed his career and appreciated his political skewering politics from an incredibly cynical point of view. He was the leftist who shook his fist and bellowed against an establishment completely dedicated to power. I found it both hilarious and honest from his point of view. All establishment political figures took a turn in HST's barrel.This book attempts to portray him as a serious political critic. I learned things about him I have never found anywhere else. It is limited in coverage to those issues, but worth reading for those interested in HST or that period of political history.I miss him but we have his written works which will endure.

I'm a long-time fan of HST so I of course loved this as it's well-written and offers new POVs on some legendary moments, as well as ones I didn't know. Beyond that though, the historical/political aspect made for a great read even if you have never heard of HST. In fact, I was with my parents at the time of reading this, and they both borrowed it and immediately read it cover to cover. They had never heard of Fear and Loathing but they remember the moments he experienced and wrote about so they were still able to connect. That ability to hook reader's regardless of their Thompson knowledge is a tribute to the author.

The author does a great job of encapsulating the most productive era of Hunter Thompson and his mission to expose the Nixon administration.

Bought for son who is a reader

“Freak Kingdom” focuses on Hunter Thompson’s political journalism in the years between the Kennedy assassination and Nixon resignation. It’s an astute way to frame his peak period. Although Thompson continued to harbor hopes for his fiction, the Kennedy assassination pushed him toward journalism, and the rise and fall of Richard Nixon inspired some of his most trenchant work.Readers will be disappointed if they expect a searching evaluation of Thompson’s political journalism. Instead, the chief concern is his political education, which Timothy Denevi recreates by featuring episodes from Thompson’s personal and professional life. Shrewdly combining details from various sources, Denevi offers a series of fully realized scenes whose vitality exceeds any single collection of facts.How reliable are these scenes? That question goes to one of Thompson’s central concerns: the best way to render the world truthfully. He never accepted the distinction between veracious journalism and fanciful fiction. To the contrary, he always thought fiction was a superior vehicle for expressing truths that mattered. “Freak Kingdom” not only endorses Thompson’s method but also adopts it. By dramatizing the key decade in Thompson’s life, “Freak Kingdom” brings his weird journey into clear and vivid focus.

I'm a Hunter Thompson fan, so I had to pick up this book. It shows an activist side which many people are unaware of. The in-depth analysis of politics in the 70's is particularly relevant in today's political environment. The coverage of and details about Nixon should be required reading for those who didn't live through it. I particularly enjoyed seeing do much detail about the younger version of Hunter Thompson, his wife, his life, and his friends. It was a surprisingly easy read written in a style I found most refreshing. I picked up and literally couldn't put it down until I finished. Best read this year.

Mini book review: Just finished Timothy Denevi’s “Freak Kingdom,” subtitled “Hunter S. Thompson’s Ten-Year Crusade Against American Fascism.” I’ve been reading and re-reading a lot of books that the rise of Trumpist neo-Nazism has brought to mind – the classic “The Rise and Fall of the Third Reich: A History of Nazi Germany,” by William Shirer was the first book I revisited – and this new book came to my attention because the two journalists I most wish could be around to comment on Trump and his minions are Hunter Thompson and Molly Ivans, both dead. “Freak Kingdom” is not a cradle to grave biography of Thompson but focuses on his most productive period, which includes his writings about the POTUS that was easily the most evil in history until Trump came along: Richard Milhous Nixon. “[w]e will not see another like him for quite a while. He was dishonest to a fault, the truth was not in him, and if it can be said that he resembled any other animal in this world, it could only have been the hyena.” What would he have said about Trump. I have a particular affection for Thompson because I met him when I was working for his friend United States Senator Gary Hart (D. Colo.) (there are many stories there) and because in my first career as a journalist I tried and failed to be as Gonzo as Thompson. You should read this book just to consider the Nixon-Trump nexus. For a pop cultural tome it is meticulously researched with more than 100 pages of fine print end notes. It would be a great addition to your library if you are doing scholarly research on the era or if you just want to revisit a time that now seems long gone.

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About the Author

Salvador Briggman founded the popular blog, CrowdCrux, which has been cited by the New York Times, The Wallstreet Journal, CNN, and more. He helps entrepreneurs raise money on crowdfunding platforms like Kickstarter and Indiegogo. Last year, he helped nearly 400,000 individuals raise money from the crowd through his website, products, newsletter, and forum.

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Product details

Paperback: 66 pages

Publisher: CreateSpace Independent Publishing Platform (October 20, 2016)

Language: English

ISBN-10: 1533254338

ISBN-13: 978-1533254337

Product Dimensions:

6 x 0.2 x 9 inches

Shipping Weight: 5.3 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#567,398 in Books (See Top 100 in Books)

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Lots of good advice and what should be common sense. Doesn't get as "deep" as I wanted though. It's an easy reader.

This book clearly explains all the options available to you as you proceed in raising money for your own personal venture. Highly recommend.

Quite thorough on how to crowdfund anything. Best info I could find searching the internet.

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Easy to read and informative. Step by step guide to crowd funding. Worth the price, especially if you're a Prime member.

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Free Download Artforms: An Introduction to the Visual Arts, Revised (7th Edition)By Duane Preble, Sarah Preble, Patrick L. Frank

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For courses in Art Appreciation, Art courses for non-majors, and one-semester Introduction to Art classes. This visually attractive text features elegant design, high quality reproductions, and a down-to-earth, jargon-free presentation. Introducing students to the theory, practice, and history of art-while emphasizing its impact on everyday life-this revised seventh edition now links the text to the new accompanying CD-ROM.

• Sales Rank: #677132 in Books
• Published on: 2003-07-02
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x 1.17" w x 8.50" l, 3.89 pounds
• Binding: Paperback
• 544 pages

Excerpt. © Reprinted by permission. All rights reserved.

From the first edition in 1972, ARTFORMS has been as visually exciting as the individual works of art that are reproduced in it. ARTFORMS grew out of a desire to introduce art through an engaging visual experience. It is written and designed to help readers build an informed foundation for individual understanding and enjoyment of art. By introducing art theory, practice, and history in a single volume, this book aims to draw students into a new or expanded awareness of the visual arts. The goal is to engage readers in the process of realizing their own innate creativity.

In keeping with this philosophy, the revised seventh edition of ARTFORMS is a careful blending of the strengths of its earlier editions—clear organizational structure, straightforward writing, and high quality images—and a number of important changes. Thirty new illustrations of contemporary art works have been added, including those of many new artists in a wide range of media, from graphic design and architecture to installation and ceramics. Contemporary artists represented in this book for the first time include Willie Cole, Rachel Whiteread, Mel Chin, Zaha Hadid, Sarah Charlesworth, Xu Bing, Tunga, Charles Ray, William Kentridge, Tibor Kalman, and others. Moreover, I have continued the effort begun in the last edition to reflect the ever-broadening canon of art history by making this edition the most inclusive yet. I have added works by Sonia Delaunay, Tarsila do Amaral, Norman Lewis, Carlos Fresquez, and Alicia Candiani, among others, to make this book the best available survey of the world-wide range of art production.

In addition, I have done major updating in several sections to reflect recent developments in art issues and advances in scholarship. Essays on restoration of art works, censorship, and return of cultural property have been rewritten with new information. I included a photograph of the back view of the Venus of Lespugue to show recent groundbreaking research on textile arts from the Stone Age. The chapter on Islamic Arts has been expanded.

The most important change in this edition, however, is in the bridges it builds to the digital world. A new section of Chapter 10 describes art made on computers, with an historical overview and contemporary works. A new essay, "The Digital Revolution and the Arts," highlights how all areas of art creation, preservation, and study have been affected by the advent of digital technology. This book itself makes groundbreaking use of that technology, presenting interactive exercises, video demonstrations, and pictures of important art works on a new CD-ROM that is aptly titled Discovering Art.

Part One: Art Is . . . (Chapters 1 and 2) introduces the nature of art, aesthetics, and creativity, and discusses the purposes of art and visual communication. Strongly believing that we are all artists at heart, we include an essay on children and their "Early Encounters with the Artist Within," and a section on the works of untrained artists.

Part Two: The Language of Visual Experience (Chapters 3-6) presents the language of vision: visual elements, principles of design, and style. Experience with the language of visual form introduced in Chapters 3 through 5 provides a foundation for developing critical thinking and for considering evaluation and art criticism, discussed in Chapter 6.

The visual and verbal vocabulary covered in Part Two prepares the reader to sample the broad range of art disciplines, media, and processes presented in Part Three: Two-Dimensional Arts (Chapters 7-11) and Part Four: Three-Dimensional Arts (Chapters 12-14). In these two parts we discuss the classical media used in drawing, painting, sculpture, and architecture and the latest developments in photography, video, film, computer imaging, craft, and environmental art.

Part Five: Art as Cultural Heritage (Chapters 15-20) and Part Six: The Modern World (Chapters 21-25) introduce historic world styles and related cultural values. Part Six devotes four comprehensive chapters to the many artistic developments of the modern Western world from the late eighteenth century to the present. That each new technique in the history of art relies heavily on its predecessors becomes obvious in these chapters. Chapter 25: Recent Diversity discusses art of the last two decades and the multifaceted and changing roles of artists today. It includes a section on the Global Present, emphasizing the international aspects of the contemporary art world.

In addition to a revised Glossary, Pronunciation Guide, and Selected Readings, the back matter of ARTFORMS includes an annotated listing of Web sites related to art: images, artists, museums, art organizations, magazines, and other sources. The three-page Timeline is illustrated and includes additional information on both Western and nonwestern art.

The revised seventh edition of ARTFORMS offers a variety of updated ancillaries, including a large collection of high-quality slides (available to qualified adopters), carefully selected to represent the diversity of artists shown in the book; and a Companion Website™ with links to museums and other Web sites, an' audio pronunciation guide, and chapter guides with summaries and learning objectives.

The title of this book has a dual meaning. It evolved from the original title, which was a condensation of the concluding sentences of the draft for the first edition: "Man creates art. Art creates man." Man Creates Art Creates Man was further condensed to contain the idea in one word, ARTFORMS: As we create forms, we are in turn formed by what we have created.

Beyond fostering appreciation of major works of art, this book's primary concern is to open eyes and minds to the richness of the visual arts as unique forms of human communication and to convey the idea that the arts enrich life best when we experience, understand, and enjoy them as integral parts of the process of living.

Although ARTFORMS is filled with pictures of art objects, the subject is not just human accomplishment; it is human potential. These works are shown for themselves and for what they indicate about the process that brought them into being. The arts enable us to experience the past, see the present, and anticipate the future. We hope that readers will share our conviction that the arts give voice to the heart of humanity.

Patrick Frank

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Artforms: An Introduction to the Visual Arts, Revised (7th Edition)By Duane Preble, Sarah Preble, Patrick L. Frank PDF

Artforms: An Introduction to the Visual Arts, Revised (7th Edition)By Duane Preble, Sarah Preble, Patrick L. Frank PDF